Author Interview: Brenda Knight

Author Interview: Brenda Knight

 

I interview wellness authors to find out what makes them tick and why they write the books they do. 

I call Brenda Knight my “Fairy Godmother.” And I’m not really joking. After the years of rejection I experienced, when Brenda told me that Mango Publishing Group wanted to publish my first book, Depression Hates a Moving Target, it felt as if she had flown down from the sky, swooped me up, and made my wildest dreams come true.

As the Associate Publisher at Mango, Brenda is a gifted powerhouse, wrangling authors and juggling publishing details with a firm, but gentle touch.

Brenda also writes.

A prolific, successful author, she is published under her own name and several pseudonyms. Mango recently updated and released one of Brenda’s best-selling books, Random Acts of Kindness: 365 Days of Good Deeds, Inspired Ideas and Acts of Goodness.

Selfishly, I wanted an excuse to spend some time with her. I knew you would want to learn about her as well. I hope you enjoy this interview as much as I did.

Nita Sweeney (NS): What prompted you to write Random Acts of Kindness?

Brenda Knight (BK): My inspiration for the book starts with childhood. I was raised in my mom’s religion, First Day Adventist, which is very different from Seventh Day Adventist. I remember being jealous of Catholic, Baptist, and Jewish people, and people of all other faiths because their beliefs seemed so much more interesting. They had angels in heaven. They had hell and all that. First day of Adventist is very plain. The bottom line is “Be a good person.” Then, when Jesus Christ comes back at the Advent, if you’ve been a good person you get to stay in Heaven which is actually here on Earth.

I remember thinking “That is so not exciting.” I wondered why all my friends’ religions were more interesting and had more bells and whistles. But those early teachings of “be patient,” “be generous, “be kind with no expectation,” “be a good person, and “that’s just what it is to be a human on Earth,” worked their way in there. They got on the hard drive.

Those early teachings worked their way in there. They got on the hard drive.

When I worked at Canari Press, and Random Acts of Kindness was first published back in 1996, it went on to become a two-million copy bestseller. That was quite thrilling. I especially loved it because I love book publishing. I love working with creative people, writers, and designers—every step of the process.

But when you combine publishing with a purpose where you’re helping people, to me that’s the ultimate. I wanted to return to that purposeful publishing feeling. I wanted to share acts of kindness that I recommend, but I’ve also included some new stories where I don’t necessarily come off that well. But in those, I’ve learned a lesson and I share those lessons.

When you combine publishing with a purpose, that’s the ultimate.

NS: What a wonderful backstory to that book!

NS: In one sentence, what do you hope the reader will take away from Random Acts of Kindness?

BK: Be mindfully kind. Have that as part of your being. I do think people are inherently good. You could argue the opposite, that the jails are full to bursting, and there’s all that bad news I see on cable news channels which might make me think we are not inherently good. But there are studies and documentaries about toddlers that show that as soon as they can crawl, their inclination is to give, to help. That’s been proven.

We start off kind. And all of us, including me, get beat up by the world.

Over the years, that innate kind helpfulness can get stripped away. You start to think I just need to get through my day. I just have to survive today. But if we just take a breath and reorient, open our eyes, there are still opportunities to be kind every day in ways big and small, even in pandemic America.

Maybe it’s something like adopting an elder cat which I recently did because it never occurred to me that no one wants to adopt really old cats so they get moved out for the kittens that are highly adoptable. And the old cats are herded into old cat homes which is quite sad. I don’t know why I didn’t know that before but when I discovered it, I thought “Oh! I’ll adopt an old cat.” I sort of feel like an old cat myself. We can keep each other company. And we do.

Be mindfully kind. Have that as part of your being.

Adopting an elder cat is one example of taking action. I learned something and immediately wondered “How can I help?” Then, I took direct action. Of course, not everyone can. Perhaps your landlord doesn’t allow pets. But there are just ways to be kind. Ask the barista at your coffee place how they are doing. Really stop to listen. Then you’ve created a relationship. As we go through our day, try not to let the spinning of this old world wear you down. Be mindfully kind. It really becomes effortless.

Brenda Knight

NS: With practice it certainly does. And that leads me to the next question.

NS: Writing and life can be stressful. How you take care of yourself?

For me, writing is a kind of self-care, and I bet that is not too foreign an idea for a certain Nita Sweeney. This week, I don’t have anything that I’m writing personally, but I’m probably going to start a new project next month. I reserve writing time usually during the time the Rachel Maddow show is on. But I don’t watch Rachel Maddow when she comes on. I have it DVR’d. It could be 8 p.m. to 9 p.m. or 7:15 to 8 p.m. I reserve that time.

And it’s very meditative. My writing desk is by my garden window. I can look out right now and see the azaleas having their second bloom of the year. The beautiful fuchsia of those, the green of the newly rained upon lawn, the plantings and the apple tree are very peaceful. I look at that and drink in that peaceful, natural beauty.

Even if it’s raining, I will run out and do a little wedding. Wedding is my therapy. It brings me so much restoration and respite. It may come down to a little bit of Feng Shui, but I oriented my writing desk by something that I love to look upon, just gaze upon it. Because it’s in such a beloved peaceful spot that feels like a retreat, my heart feels writing is something I look forward to.

Weeding is my therapy.

Then I’ll light a scented candle and a stick of incense and then plop myself in front of my writing desk, and I usually know what I’m going to cover, so I have my section planned. I’ll also do some free writing. The way I’ve set up my writing area brings me a soulful sustenance. I hold onto that and don’t let anything get in the way of that.

There are two desks in the front of the house for my day job with Mango Publishing Group. I have a separation of church and state. This writing is just for creative self-care.

NS: That’s so helpful! I love the separation of church and state. Thank you.

NS: Let’s change gears a bit and talk about your business path. I once heard you say that when you were a little girl, if someone asked you what you wanted to be when you grew up, you said “an international business woman.” Will you tell us more about that and how that led you into publishing?

BK: Oh yes. I grew up up a holler on a dirt road on a farm in West Virginia on a farm which was lovely and tranquil. I had awesome access to Nature 24/7 and took full advantage of that. But I was a voracious reader from the minute I could read. And I knew there was a big bustling world out there. I wanted to get out there and see as much of the world as possible. Especially as a teen, I spent a lot of time thinking about how I could get a job where I can get paid to travel. I pondered that because those options weren’t exactly in my neck of the world, in southern Ohio and western West Virginia.

I was a voracious reader from the minute I could read.

When I moved to San Francisco, I actually got a job the first week with an import-export company. It thrilled me because I was surrounded by people from all over the world, people from Taiwan, mainland China, Brazil, Mexico, Malta, and the Philippines. The lunchroom was full of people speaking all these different languages. I would try to learn how to say “Good morning” and “How are you?” and “How’s your lunch?” in different languages. I can’t begin to tell you how exciting that was.

I did whatever it took: answered the phone, took orders, even drove a forklift in the warehouse.

But I knew in order to become a buyer which is that job where you go around the world stop on somebody else’s dime, I needed to take an executive path. So, I asked to be mentored by the executives. I was, and I did well. As I’m talking to you, I’m looking around my home. I see objects like from that time. Some of the nicest things I own, imported from Italy and India, are real treasures from that job. I hold onto that memory in that way.

I was super excited to finally be tapped to be a buyer by the founder of the company. He was a Merchant Marine who bootstrapped the company up from nothing. He said “Tomorrow we’re going to look at the factories. We’ll visit India, Mainland China, Taiwan, and, if we can, we’ll work in a trip to Italy.” I was on fire and couldn’t sleep, champing at the bit to get out there. I was in my early 20s and had not traveled at all, had never been outside of the United States. This was my dream job.

I was on fire and couldn’t sleep, champing at the bit to get out there.

Then he brought in photo albums of the factories in India and Mainland China. My chin dropped to the floor. The photos showed children making the products. That’s how I learned that, unbeknownst to me, I had been exploiting children for the five years I’d had that job. I was horrified. I said, “Those are children.” And he said “Uh huh” like it was no big deal. He’d visited those factories billions of times.

Unbeknownst to me, I had been exploiting children for five years.

As I looked at the photos, I remembered my summer job in high-school. I worked for a car dealership. I was one of the only females who worked there and I drove cars and worked in the parts department. The mechanics who repaired the cars and worked in the body shop were my lunchtime buddies. They were like artists. They took great pride in how they painted the cars.

One of them, the oldest guy, closest to retiring, didn’t want to wear the masks and protective equipment they had to wear when spray painting the cars. I always checked to see if he had on his mask.

When I caught him spray painting a car without his mask, I scolded him in a caring way because I wanted him to live. But one day he started coughing and he coughed up blood.

Because of this, I knew firsthand what would happen if you were lacquering products without ventilation and masks. It would harm your lungs very severely. And I knew the kids in the plant in India lacquered the silver tea sets and all of the other things that was lacquered. I asked my boss, the owner of the company “Where are the fans? Where’s the ventilation? Where are the masks? They are lacquering those product.” He said, “I don’t know what you’re talking about.” And I said, “Well I do. Without ventilation and masks, they’ll be coughing up their lungs before they’re twelve.”

It was like an out-of-body experience.

Some aspect of me was watching me engage with my boss, the founder of the company, in shock about like how he was exploiting children and harming them. And I said “So you’re telling me like there’s no masks, no fans, no ventilation system to protect these children?” And he said, “They’re happy to have a job, and you should be too.”

I said, “I will not exploit children and you shouldn’t either. I quit.”

All these years later, I still can hardly believe I did that. I didn’t have very much money. Every month when the rent came due it was a big stressful deal. I didn’t make much money. Maybe I was being exploited too. I went home and called my best friend Maria, and cried and cried and cried. She was a great shoulder to lean on. Then she said, “All you want to do is read and talk about the books you’re reading. Why don’t you get a job in publishing?”

Then she helped me research local publishers one of which was Harper Collins in San Francisco.

After two informational interviews, I talked my way into a job in publishing and I have never looked back!

Publishing was so exciting to me. I couldn’t believe I got free books!

But thanks for asking about that experience. It’s important. Even in the face of hunger or total impoverishment, I made a value choice. It was instantaneous. There was no question. I was not going to exploit children. And I brought that sensibility with me because once I got a job at the executive level at Harper Collins, I formed a committee where we made sure that no children were working on the books especially in China and India. And on the rare occasion where we’re having books manufactured overseas, I always make sure of that too. It’s important because it’s still happening.

NS: Thank you for standing up, and for that reminder.

NS: Today, do you have a motto or a slogan that you find helpful in your day-to-day life or business?

BK: The title of the writing journal you and I collaborated on “You Should Be Writing” is my motto. Even if you work in tech or you have an organic farm, you should be writing for many reasons. First, it’s a form of self-care, at least in my life and it is for many other people. Also, you can pass down things to your children and your children’s children.

Let’s say you run an organic farm. You could write in a journal about the experience, the pleasure, and the difficulties and how you face them. People hunger for those real stories. And that’s what we are. We are our stories. We’re like vessels filled with stories. No matter who you are or what kind of work you do, you should be writing. You should be should be telling your story. Record it whether by journaling or something more deliberate like memoir. Or perhaps poetry is how you express.

“You should be writing” is my motto.

I have had people come back and tell me, even relatives in my family say, “I didn’t believe you about the writing. I didn’t think I had any anything important to say, but I found the process very enjoyable.” And, almost invariably, something else happens. As people write their story and retell it, more details come through. They are helping themselves remember. They put together pieces of stories and aspects of life. That’s important too. Writing can help you actually land on a more complete picture, a more complete story of your life. And that’s important too.

NS: I love that advice as well. Thanks.

NS: So, what’s the worst wellness or mental health advice you’ve ever been given?

BK: I have ups and downs with weight. I think it’s part of my DNA combined with having a job that requires me to be pretty sedentary where you’re locked at the laptop for zoom meetings and writing. The most recent horrific advice I got was “Don’t drink coffee. You’re poisoning yourself.”

I have to tell you, if I didn’t drink coffee, which I greatly enjoy—I’m enjoying an oat milk latte right now—I would not have a job. I’d be living in a homeless shelter. Coffee is enjoyable to me. And whether it’s just an idea in my head or if it really is caffeine power, it makes me feel like a “can do” person. Now that I have a latte, I can totally handle the five more hours of stuff I have to do. So, no. I cannot accept that advice. I have to have my coffee!

If I didn’t drink coffee, I would not have a job. I’d be living in a homeless shelter.

NS: Oh goodness. I couldn’t take that advice either.

NS: What is one wellness practice you wish you had learned earlier?

BK: Walking. From growing up on a farm, I associated walking with work. Of course, I took all kinds of little walks when I was a kid. I gathered pretty rocks I found in a creek. I had a rock tumbler and made some sad looking bits of jewelry for my sisters and mom. You’re allowed to do that for a certain number of years and then walking had to be purposeful.

My dad walked the fence line to make sure there were no holes. Walking always had to have a task attached to it. Walking didn’t have pleasure, fun, or relaxation associated with it. I had to rediscover it. And I think a lot of other people did too, especially during the pandemic. Just walking. Walking for no reason other than walking. To just blow the cobwebs out of your head. Or run a little errand. I reembraced walking and let go of the idea that it had to be chore-related. Now, I enjoy walking for no other reason than walking!

I had to rediscover walking just for walking.

NS: I can’t love that enough.

NS: How about a writing tip or a bit of advice for the writer types?

BK: I hope this isn’t too stale, but assign yourself a word count. It doesn’t have to be 2000 words a night. I’ve done that to myself and it can be stultifying. Maybe it is 250 words which is pretty doable. Then, if you go over, you’re ahead for the next day. Whether you’re writing your November novel, or a self-help book or memoir, have that very achievable daily word count and stick to it.

Brenda Knight reading in a pink room in pink light

It’s easy to get overwhelmed by a writing project, especially if you’re a little bit of a newbie. Writing a 55,000-word personal growth book sounds unachievable. You think “Oh my goodness. I can’t do that.” But whatever you’re doing—I find this applicable to all kinds of projects—map it out into small doable chunks. When you meet your word count or exceed it every day, mentally reward yourself. Take a moment to feel proud of yourself. Acknowledge that, and that will give you momentum to keep going.

Assign yourself a very achievable daily word count and stick to it.

And here’s another thing. There’s a lot of bad advice out there. Don’t try everything you’re told. There’s more bad writing advice out there than there is good, especially at writers’ conferences. And I feel a little naughty saying that because I’m usually at writers conferences every year except for the pandemic time.

But I have heard some atrocities being hurtled out at writers. And they’re so earnestly like drinking it all in. Sometimes I think “Oh my God, No! Please don’t do that.” And I can’t scream out and say that, but I can tell you to listen to what resonates with you and then even double check that with somebody you really trust.

And just don’t listen to everything you’re told.

NS: Can you give us an example, maybe the worst piece of writing advice you’ve ever heard?

BK: Some writing conference presenters tell writers to just get a list of editors and send them all the same email. Well, we can tell! And you wasted your time. We can tell instantaneously. That time you spent cutting and pasting the names of fifty editors would have been better spent going to Publishers Lunch, and looking at the top five editors and publishers who publish in your category, and querying them, and doing a little research about them.

When you reach out, you say:
“Jane Doe, I noticed that you were the acquiring editor of the book Wild. I love that book and found it life-changing. Because you work with non-fiction women’s narratives and do it very well, I’m contacting you. I have one I think you might be interested in.”

Take time to research the people you want to query. It makes such a difference. Taking ten minutes to do that research will actually get your query looked at. We can all tell and we appreciate when you’ve done your due diligence. You will be seen if you just take the time to do that research.

That’s what you did, Nita Sweeney, when you knocked on the Mango door.

NS: Thank you. And yes, I did my due diligence.

NS: We’ve covered a lot. Is there anything you would change about your journey?

BK: It was definitely important for me to have had that experience being an “international business woman” which took me down the road not taken and into publishing.

I’m even glad I worked for Rupert Murdoch, since News Corp owns Harper Collins. At the time I worked there, in the 90s, nobody knew who Rupert Murdoch was. He was just an Australian newspaper man, the mysterious global figure we didn’t have to pay any attention to. Then when he started Fox News, I began to wonder “Who is Rupert Murdoch?” so I left at exactly the right time. I joke that I went from working for the worst man in publishing to working with the kindest people in publishing with Canari Press, especially with them publishing Random Acts of Kindness.

At the time I worked at Canari, nobody knew who Rupert Murdoch was.

But there is one thing I might have changed. As that farm girl who as going to be an international business woman, I had the idea that I needed to have a high title. I thought I needed to be vice president and then president. I had this trajectory in my mind that I somehow developed while living on a farm!

Eventually, I did get a job where I was vice-president of an international publishing company. I don’t even have it on my resume because it was a nightmarish experience for me. I’m sure other people had a very different experience, and I wish them all the best. But it was very male-oriented. There was even a little bit of a “bro” mentality, and I do not mix well with the “bro” mentality. I don’t think most women in business do well with the “bro” mentality. It was miserable for me.

And once I achieved that vice president level, all I did was put out fires and deal with really boring paperwork. I didn’t get to do what I really like which is acquiring books, developing books and book programs, working with authors and creative people. I just shoveled paper from my desk to others’ desks.

While I wish I hadn’t had that job, at the same time, I learned an important lesson. Titles don’t matter, not in the least. When I left that job, I became publisher which is also a nice title, even though I had gotten over my obsession with needing a fancy title. On my business card, I had them put publisher and office composter. And I was more proud of “office composter.” I worked out a whole system, and got all the tenants in the building involved. I even got the Berkeley trash and compost people to come over and meet with us. I took it very seriously.

Titles don’t matter, not in the least.

NS: I can absolutely see you as the office composter. Brava!

NS: So, the last serious question. “What’s next?” You hinted at the next writing project. Do you want to tell us about that?

BK: All I will say is that it is Tolkien related. It goes right back to the farm.

When I was nine, someone gave me The Hobbit and The Lord of the Rings. I started with The Hobbit and there was no turning back. My mom drove me all over, including many trips to Columbus, Ohio, for books. Once I got into it, I had to read every biography of him ever written, and stories he had written that weren’t nearly as popular. I was a Tolkien completist starting at the age of ten. My love for his writing and the world he created, Middle Earth, only grows. So, I’ve got something up my sleeve that’s a little Middle-Earthy.

NS: And finally:

NS: Mermaids or goddesses?

BK: Mermaids. Double Pisces.

NS: Of course!

NS: Toast or bagels?

BK: Toast.

NS: Ocean, mountains, or forests?

BK: Forests, preferably Middle-Earthy ones.

NS: Leggings or jeans?

BK: Leggings.

NS: Dogs, cats, fish, guinea pigs, or horses?

BK: And you can’t say all?

NS: You can say all.

BK: I’m going to say “all” because when I lived on a farm, we had all of those, and more!

About Brenda Knight:

Brenda Knight Random Acts of KindnessBrenda Knight began her career at HarperCollins, working with luminaries Paolo Coelho, Marianne Williamson, and Huston Smith. Knight was awarded IndieFab’s Publisher of the Year in 2014 at the American Library Association. She is the author of Wild Women and BooksThe Grateful TableBe a Good in the World, and Women of the Beat Generation, which won an American Book Award. Knight is a poet, writer, and editor. She also served as President of the Women’s National Book Association, San Francisco Chapter, and is an instructor at the annual San Francisco Writers Conference, Central Coast Writers Conference and wherever she can be with fellow writers. A scholar of medieval literature and modern poetry, she lives in San Francisco, California.

Follow Brenda’s blog, “Lower Haight Holler.”



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Dancing into December: My Favorite Writing Tools

Dancing into December: My Favorite Writing Tools


Dancing into December: My Favorite Writing Tools—Guest Post by Tami Kamin Meyer

Write Now Columbus editor and freelance writer Tami Kamin Meyer pays homage to her favorite writing tools.

I am proud to be a freelance writer. For me, the term evokes a romantic vision of hours tapping away on a dusty typewriter with stubborn, round, porcelain, green keys as cigarette after cigarette slow burn in an ash-filled Diet Coke can on my desk. Coffee mugs with various levels and temperatures of java, one hawking a local sports team, another boasting how The Queen takes her coffee (immediately!) litter my work area, and I am blissfully happy.

Reality, however, could not be further from the truth. For one, I don’t smoke, and when I tried to create a mysterious, smoky workplace, I gagged from the intensity of the incense I had lit.

Note to self: The scent of musk is so 1970’s.

While it is true that java fuels my creativity, and I can drink it anytime of day or night without incident, I prefer it fresh and hot. And, my coffee tastes best in my favorite mug…one featuring a 3D rendering of midtown Manhattan. Sure, my beverage of choice ‘usually’ tastes just as good in a different mug, but it is that vessel that triggers my brain into work mode.

I sometimes think of not using my favorite mug, lest it gets cracked, or worse, the ‘B’ word. But the Old Faithful in me yearns for that mug every day. If I had thought of buying a second one that sunny day in Manhattan several years ago when I first laid eyes on the next Starbucks rendition of its NYC mug, I would have. Maybe even three. Two to break and one to keep in storage, never to be stained by standing coffee, forever.

We writers must have our favorite writing tools.

Another practice of mine when I’m writing is to keep sharpened pencils nearby. While I don’t recall when my love affair with a fresh, razor-sharp, yellow No. 2 lead pencil began, I know it was many moons ago.

Writing with pencil allows me to make mistakes, as we all do in life, but with the added benefit of being empowered to fully erase my errors as if they never occurred. Meanwhile, there have been times I erased my words, only to later realize the verbiage I had wiped away had expressed my thought perfectly.

Dammit.

Writing notes in pencil also reminds me of simpler, bygone days. I recall the pencils we used in elementary school. Their thick shafts of wood barely fit the silver hand-cranked pencil sharpener that hung loosely by a nail on the classroom wall.

They didn’t have erasers, either.

So, I always had a well-used, oddly disfigured pink eraser laying nearby. “If I could just remember where I put that thing….,” I recall thinking many times, “I would be in business.”

Despite owning a laptop and a PC, I continue to write interview questions and responses in pencil. Meanwhile, my personal planner features scribbled notes, random story ideas I wrote down when they came to me lest they be lost forever, phone numbers, some accompanied by the owner’s name and some not (if I never called, now you know why), email addresses, scribbles and more, all created in pencil. Yes, the calendar’s pages can get messy and difficult to read. But, just as with life, nothing’s perfect. Sometimes I actually enjoy the challenge of trying to decipher just what in the world I had written in my planner.

It’s those little things in life, ya know?

Ultimately, I relish the simplicity of a pencil. I don’t have to worry about it exploding its colorful ink in my purse like a Fourth of July firework. I don’t have to shake my pencil to make certain its lead is ‘flowing,” something ink pens beg for at times. My pencil is always ready to write when I am ready to, too.

Except when I hear the teeny albeit woeful sound created when my beautiful, sharp pencil tip breaks.

Anybody got a pen?



(c)Tami Kamin Meyer, 2021, all rights reserved

Author Interview – Greta Solomon

Author Interview – Greta Solomon

 

In this Bum Glue series, I interview other authors. The techniques shared in Greta Solomon‘s Heart, Sass & Soul: Journal Your Way to Inspiration and Happiness  are powerful. So, I wanted to learn more about her. I bet she’ll inspire you too.

Nita Sweeney (NS): When and how did your writing journey begin?

Greta Solomon (GS): It began in 1988. I would listen to Madonna songs on repeat on my tinny cassette player and write down all the lyrics. Then I would pick them apart to figure out the structure, and why this rhymed with that, and so on, and write my own lyrics. But magazines were my true love, and I was so excited to have reader letters published in my favorite ones, between the ages of nine and 12. I knew I wanted to be a journalist, and in 2000 around six months after graduating in Psychology, I got my first journalism job at a businesswomen’s magazine in London.

NS: Plotter or pantser?

GS: As a non-fiction gal, both! I tend to channel and free-write and feel my way into my books and articles. Then, I work like a sculptor to create an overall vision. Then, I create a clear outline to write from.

NS: What’s your biggest writing struggle and how do you handle it?

GS: Not having consistent time to write. I’m a mum to a seven-year-old, which is a full-time job in itself – especially as I have had to homeschool for the past six months due to the Rona. But even though she is back at school, I am still writing in all the spaces between and grabbing time, here and there. I handle this by making sure that I periodically have days and sometimes entire weekends when I can just focus on my writing and creativity.

NS: What is one thing about writing you wish you’d learned earlier?

Photo credit Will Ireland, taken at Blogtacular 2018.

GS: That you need to find ways to keep your creative channel open. For my first six or seven years of being a journalist, I couldn’t freely express myself in writing. I was “good” at writing but often creatively blocked, and my writing personality was governed by fear. It was only when I studied lyric writing at Berklee College of Music in 2007 that I learned a technique called object writing, which completely opened me up, and enabled me to write freely and easily. This creative freedom is so vital to a writing career, that I started teaching my unblocking techniques to others. This became the foundation for the work I do now as a writing teacher and Journal Healer.

NS: What’s the worst writing advice you’ve ever heard?

GS: That writing can’t be taught – it can! Anyone can write well, given the right tools and techniques and the ability to tap into their creative current.

NS: Do you write by hand or on a computer?

GS: Both – I journal by hand, which often turns into part of articles and book passages, which I then type up. I plot and plan by hand too.

NS: What are you currently reading?

GS: I have so many books on the go, but I am really enjoying Motherwell: A Girlhood, which is a memoir by the late Deborah Orr.

NS: Is there a book you couldn’t finish? Why?

GS: Lots, too many to mention. Usually it is nothing to do with the book, but that I got what I needed from it, before the end.

NS: What book couldn’t you put down?

GS: I loved Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert

NS: What advice would you give writers starting out?

GS: Get a side hustle sooner rather than later. Expecting your writing to fully pay for your bills, and your life, piles up a lot of pressure. That pressure can weigh down on your writing, making you less agile and adaptable and throw you out of your creative flow.

NS: Has your writing life turned out differently than you expected? If so, how?

GS: I’m not sure, as I have never had a long-term plan for my writing, I just knew that I felt called to write. I didn’t expect to leave full-time journalism so soon (after three years), but I followed my intuition, which told me to go freelance and explore my creativity. For four years, before becoming a writing teacher and author, I enrolled in a London drama school and starred in adverts and short films. I became a travel writer and explored health and wellness. And I became a published poet and songwriting. All of this was the perfect pathway for what I do now.

NS: What’s next for you writing wise?

GS: I’m re-launching my online course in Writing for Creative Self-Expression, which is a seven-module self-study programme in finding and expressing your inner voice. You can find more details on my website, www.gretasolomon.com

AND FINALLY:

NS: Mermaids or Goddesses?

GS: Ooh – tough call, but I think mermaids.

NS: Toast or bagels?

GS: Both.

NS: Ocean, mountains, or forest?

GS: Ocean – but just for the magnificence, not for swimming!

NS: Leggings or jeans?

GS: Leggings, but with flowy dresses on top.

NS: Dogs, cats, fish, guinea pigs, or horses?

GS: Horses – I love the freedom you get from horse riding.

Biography

Greta Solomon is a writer, author, teacher and Journal Healer. Through her books and courses, she guides people to use journaling, writing and creative self-expression to wake up, connect to inner wisdom, and heal the tender, violated parts of their inner worlds.

Greta is a qualified life coach, lyricist, and lifelong learning teacher, and has clocked up thousands of coaching and tutoring hours with her clients. She has a degree in psychology from University of Warwick, a former career as a women’s magazine journalist and priceless life experience from several years of making a living from acting, modelling, promotions, sales, public relations, and freelance health, lifestyle and travel writing.

Heart, Sass, & Soul By Greta Solomon

Greta has over 13 years of experience in training individuals and multi-million pound companies in writing skills, delivering workshops and talks in Norway, Holland, Ethiopia and across the UK. She was also a visiting business writing lecturer at University of London, City. Greta is a Forbes.com contributor and has had hundreds of articles published, most recently in Red and Kindred Spirit. She is the author of Just Write It! How to Develop Top-Class University Writing Skills (McGraw-Hill Education, 2013) and Heart, Sass & Soul: Journal Your Way to Inspiration and Happiness (Mango, 2019), and is a published poet and songwriter.

Born in London to Caribbean immigrants, her maternal DNA line traces back to Cameroon and Gabon. Greta has returned to London after several stints abroad, and lives with her husband and daughter.

Website: www.gretasolomon.com

Instagram: www.instagram.com/greta.solomon

Facebook: www.facebook.com/gretasolomoncoach

Twitter: www.twitter.com/greta_solomon

LinkedIn: www.linkedin.com/in/gretasolomon

Author Interview – Greta Solomon

Author Interview – Joan Gelfand

 

In this Bum Glue series, I interview other authors. Next up is award-winning author Joan Gelfand who I discovered when I read her writing book You Can Be a Winning Writer:The 4 C’s Approach of Successful Authors – Craft, Commitment, Community, and Confidence. Her first novel, Extreme, came out in July 2020. I hope you enjoy her perspective.

Nita Sweeney (NS): When and how did your writing journey begin?

Joan Gelfand (JG): It really began when I was 8 and started writing book reports for school. Next was writing poetry in High School and then finally publishing poetry in my college years. That is when I began to identify as a writer. I went to San Francisco State University for a degree in poetry and then to Mills College for my MFA.

NS: Plotter or pantser?

JG: Plotter

NS: What’s your biggest writing struggle and how do you handle it?

JG: Getting the work finished. I have a lot of projects and I love to sketch things out (poems, reviews, articles, stories, and my next novel.)

The struggle is to edit and fine tune the piece to a point where I LOVE it. I won’t ship/publish it until I love it and feel I have nailed what I want to say.

NS: What is one thing about writing you wish you’d learned earlier?

JG: That writing is entertainment and you have to keep the reader on the edge of their seat.

NS: What a fabulous reminder.

Author Interview - Joan Gelfand reading

Author Interview – Joan Gelfand reading

What’s the worst writing advice you’ve ever heard?

JG: “Put this novel aside and start a new one.”

That was from a Pulitzer Prize winning author who I hired to advise me on how to fix the second part of my first novel. I had interest from a NY agent! I put that first book aside and I’ve regretted it ever since. When an agent expresses interest, you must pursue it!

NS: Do you write by hand or on a computer?

JG: Both

NS: What are you currently reading?

JG: The Vanishing Half by Brit Bennett and Betrayal on the Bayou by Sheryl Bize-Boutte.

Joan Gelford & Sheryl Bize-Boutte

Joan Gelford & Sheryl Bize-Boutte

 

 

 

 

 

 

 


NS
: Is there a book you couldn’t finish? Why?

JG: Telegraph Avenue by Michael Chabon. The characters didn’t hold my interest and the story/plot line didn’t engage me enough.

NS: What book couldn’t you put down?

JG: The Monk of Mokha by Dave Eggers. It was a book about Yemen and coffee – it was non-fiction. It had a San Francisco angle, it was about one of my favorite topics, it was set in an exotic location and it read like a thriller!

NS: Thank you! That title has come up a few times lately–a sign to read it.

What advice would you give writers starting out?

JG: Start publishing as soon as you feel ready. Build your writer’s resume of writing credits.

NS: Has your writing life turned out differently than you expected? If so, how?

JG: I thought I would have had my first novel out about 20 years ago. In the meantime, I published 3 collections of poetry, a book of short fiction, and a book for writers! My first novel was JUST was published on July 14th! www.extremethebook.com

NS: How exciting! Congratulations. What’s next for you writing wise?

Joan Gelfand at Pt. Reyes

Joan Gelfand at Pt. Reyes

JG: On my desk is my next poetry collection. I have all the poems I just need to organize and edit. And, I have a publisher already. After that is my next novel.

NS: Lots for us to look forward to from you. More excitement!

AND FINALLY:

NS: Mermaids or Goddesses?

JG: Goddesses

NS: Toast or bagels?

JG: Toast

NS: Ocean, mountains, or forest?

JG: oh no ! I love them both – can’t choose !

NS: No need to choose then.

But what about leggings or jeans?

JG: leggings

NS: Dogs, cats, fish, guinea pigs, or horses?

JG: CATS!

NS: Thanks so much for your time Joan. It was great to get to know more about you!

BIOGRAPHY:
Extreme by Joan Gelfand

Extreme by Joan Gelfand

The author of three poetry collections, a chapbook of short fiction and You Can Be a Winning Writer, a book for writers, Joan’s work appears in national and international journals including Rattle, PANK! The Los Angeles Review of Books, Prairie Schooner, Kalliope, California Quarterly, the Toronto Review, Marsh Hawk Review and Levure Litteraire.  Her chapbook of short fiction won the Cervena Barva Fiction Award.

President Emeritus of the Women’s National Book Association, a member of the National Book Critics Circle and California Writers Club, Joan coaches writers.

Her novel, Extreme, set in a Silicon Valley startup, was published by Blue Light Press in July, 2020.

 

 

Author Interview – Greta Solomon

Author Interview – Debra Eckerling

Author Interview – Debra Eckerling

In this new Bum Glue series, I interview other authors. Much gratitude to Debra Eckerling, author of Your Goal Guide and founder of Write On Online‚ and The D*E*B METHOD for being my first willing participant.

Nita Sweeney (NS): When and how did your writing journey begin?

Debra Eckerling (DE): I have been writing ever since I was a kid – I loved making up stories. Growing up and through high school, I was really drawn to fiction. I studied journalism in college, and have been focused on non-fiction for my professional career.

My high school creative writing teacher who altered the way I looked at journaling. We were required to write at least 5 pages a week. I usually did about 20. Most classmates did the bare minimum, but some filled entire books. He never looked at what we wrote. He just wanted us to get what was in our head onto the page. Who knew journaling would be the basis for so much of what I do today.

NS: Plotter or pantser?

DE: I am a pantser who plots. I like to write outlines – or brainstorms – on a legal pad before I jump into any new projects, writing or other.

As a goal coach, I often talk about the importance of having a plan: you need to find the happy medium between over-thinking and under-thinking your goals and projects. Before jumping in, it’s helpful to have an idea of what you are writing. However, the level of detail will vary, depending on the topic, medium, and ideal outcome.

That being said, I also enjoy writing in the zone. So much awesome can happen when you put pen to paper – or fingers to keyboard, you start writing, and see where it goes!

NS: What’s your biggest writing struggle and how do you handle it?

DE: Finding time for my own writing projects is sometimes a challenge. This is common among writers, creative, and entrepreneurs, who make up my clients and communities. But, I practice what I teach, which means scheduling time for long-term or passion projects, even if that means calendaring appointments to write … and keeping them! Even spending a little bit of time each week on those passion projects adds up.

Debra Eckerling, goal coach

NS: What is one thing about writing you wish you’d learned earlier?

DE: Patience. Things happen in their own timeframe, not in the time you want them to happen.

I have been writing, speaking, and leading goal-setting and productivity groups (Write On Online) for many years. I’ve helped entrepreneurs and consultants develop their books for either self- or traditional publishing, and self-published two of my own ebooks – one on kids writing prompts and the other on blogging.

A little over two years ago, I rebranded my goal-coaching to The D*E*B Method, my system for helping people figure out what they want and how to get it. “DEB” stands for Determine Your Mission, Explore Your Options, Brainstorm Your Path. I planned to self-publish it as a workbook, when I met an agent who asked for my book proposal. I wrote a book proposal, which found its way Brenda Knight at Mango Publishing toward the end of 2018. Mango published Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals in January 2020.

Since we are living in a time where everyone needs to rethink their path and reboot their goals, the timing couldn’t be better to introduce Your Goal Guide to the world. I am thrilled my book landed at Mango and that it was released this year.

NS: What’s the worst writing advice you’ve ever heard?

DE: Early in my career, when I was doing events for Barnes & Noble in Schaumberg, IL, I was invited to attend a Romance Writers of America meeting. A woman, who was reading her first chapter, was getting feedback from all over the place. People in the meeting were telling her everything from changing her characters to altering the plot. I just kept thinking, “Leave that poor woman alone.”

They had a rule about letting new guests offer critiques, so I had to seek her out after the meeting and tell her to ignore everything! Especially when you are first starting a project, you need to take the time to explore your vision for your book, before opening your work up to critique. That way, you can objectively examine any feedback, so you know what to ignore and what to embrace.

NS: Do you write by hand or on a computer?

DE: Mostly on computer, but I do like to write outlines, jot notes, and sometimes start drafts on paper.

NS: What advice would you give writers starting out?

DE: Start journaling regularly. It’s great for idea development, problem solving, and keeping track of what you see, feel, hear, experience, etc.

Journaling is also one of the best ways to develop your style and tone. When you already have content to write about – your ideas, feelings, activities, and observations, you can spend your writing time getting better at the craft of writing, while exploring who you are as a writer.

NS: Has your writing life turned out differently than you expected? If so, how?

DE: YES. When I was a teenager, I planned to write the great American novel. What young writer doesn’t? In my early 20s, I thought I might end up a successful screenwriter. Then I got my freelance writing break – for a national college-centric magazine – about a week after I finished the first draft of my first screenplay. Lifestyle and non-fiction writing really came naturally to me, so I followed that path. I am so glad I did.

NS: What’s next for you writing wise?

DE: I recently started writing more column-like articles for The D*E*B Method blog, which has been a lot of fun. I am also working on a creative semi-non-fiction project that keeps getting put on the back-burner, as well as a new podcast, called #ChangeHappens, in progress.

And finally:

NS: Mermaids or Goddesses?

DE: Goddesses

NS: Toast or bagels?

DE: Bagels

NS: Ocean, mountains, or forest?

DE: Ocean

NS: Leggings or jeans?

DE: Jeans

NS: Dogs, cats, fish, guinea pigs, or horses?

DE: Dogs

 

BIOGRAPHY:

Your Goal Guide by Debra Eckerling

Debra Eckerling is the author of Your Goal Guide: A Roadmap for Setting, Planning, and Achieving Your Goals and founder of the D*E*B METHOD®. DEB stands for Determine Your Mission, Explore Your Options, Brainstorm Your Path.

A communications specialist and project catalyst, she works with individuals and businesses to set goals and manage their projects through one-on-one coaching, workshops, and online support. Eckerling is also the founder of Write On Online, a website and community for writers, creatives, and entrepreneurs, as well as host of the #GoalChat Twitter chat (Sundays at 7pm PT), and #GoalChatLive (Mondays at 4pm on the Mango Publishing Facebook Page). She lives in Los Angeles.

Reach out to Debra at these outlets:

TheDEBMethod.com
WriteOnOnline.com
YourGoalGuideBook.com or YourGoalGuideRoadmap.com
TheDEBMethod@gmail.com:

Find Debra on social media:

LinkedIn.com/in/Coastbunny
http://Facebook.com/TheDEBMethod
http://Twitter.com/TheDEBMethod
http://Instagram.com/TheDEBMethod
http://Facebook.com/WriteOnOnline
http://Facebook.com/groups/WriteOnOnline
http://Facebook.com/groups/YourGoalGuide

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