Writing as Creation and Self-Discovery

 

“Writing is not just a process of creation. It is also a process of self-discovery.”—Cristina Istrati

Self-discovery draws many writers to the page. We don’t know what we think or feel or even remember until we put pen to paper. Writing answers questions we didn’t even know we had. Some of us lean into this hard.

While I’d always dreamed of being published and had early success writing feature articles in high profile magazines, these finished products didn’t interest me as much as the writing process. As a result, my writing sometimes made it seem as if I didn’t care about the reader.

What about the reader?

When she teaches writing practice, my mentor, Natalie Goldberg, rarely talks directly about audience. It’s not that she doesn’t value her readers. She aims to dive to the bottom of the mind. If a writer goes deep enough, uncovering their own truths, she suggests they will also unearth universal truths—truths that will interest, entertain, and encourage readers.

I had to put that out of my mind while I wrote Depression Hates a Moving Target lest I be so paralyzed I couldn’t write a word. I had to set my white plastic digital timer, go for ten minutes, spill purple ink onto the page.

But as I wrote, my mind returned again and again to a friend I’ve had since childhood. She too struggles with depression, exercise, weight, and self-esteem.

I could see her face.

I asked what she might want to know. How could I explain running to her? What would she wonder about form and shoes and fear? Was there something about anxiety I could share that might help her? Did I know something she might need to know?

The vague notion of writing for an “audience” had left me cold. But imagining an actual person helped me focus. It made me care. I had to write for a living, breathing loved one with a face and a name and a family history. I wrote to her.

As it turned out, she wasn’t the only one who wanted to know.


For more wisdom from authors like Cristina Istrati, please check out You Should Be Writing, the new writing journal from Mango Publishing by Brenda Knight and Nita Sweeney.

Easily Create Amazon Review Links

Easily Create Amazon Review Links

 

Easily Create Amazon Review Links

What author doesn’t love reviews of her book?

Would you love to make it easier for readers to write reviews?

What if instead of requiring our readers to scroll and scan an Amazon page to find the review page link, we could send them directly to the page where they write the review?

We can!

Here’s the trick. In just a few simple steps, you can easily create Amazon review links that open directly to the Amazon review page of your book. With one click, the reader is at the review page.

Use this simple formula:

Amazon.com/review/create-review?&asin= + your book’s ASIN or ISBN 10 at the end of the link

The ISBN for Depression Hates a Moving Target is 1642500135, the ebook ASIN is 1642500135, and the audiobook ASIN is B07WT5M3SP.

Use the same formula for each format: paperback, hardback, ebook, audiobook, etc.

Here’s how the link to the paperback looks:

Amazon.com/review/create-review?&asin=1642500135

It opens to this page.

This one’s for the ebook:

Amazon.com/review/create-review?&asin=B084GRLRXK

And finally, one for the audiobook:

Amazon.com/review/create-review?&asin=B07WT5M3SP

I used the same formula to create Amazon review links for You Should Be Writing:

Amazon.com/review/create-review?&asin=1642502553

And this one is for the ebook:

Amazon.com/review/create-review?&asin=B084GRLRXK

Follow this simple formula for each of your book formats.

Create your own to post on social media, in your blog, and email newsletters.

Have fun and go get those reviews!

One White Woman’s Tiny Plan of Action

One White Woman’s Tiny Plan of Action

 

One White Woman’s Tiny Plan of Action – Write Now Columbus – June 2020

I’m a white, middle-aged, middle-class woman who lives in an affluent central Ohio suburb. While I was in high school, growing up in rural Ohio, the first family of “colored people” moved into our district.

They were Italian.

Sigh.

Despite my lifelong desire to reform racism out of myself, that lack of people of color during my formative years skewed my perspective. What I don’t know and haven’t experienced could make me dangerous to the black friends I love. I’m committed to facing my white privilege and racism. Until I own it, I can’t do anything about it.

I’m ashamed to admit it took a Facebook friend calling out we “white folks” on our silence after George Floyd’s murder for me to finally, decades too late, take more specific action. I am listening to my black friends, watching black leaders, and allowing their actions to guide my steps.

This week, an article in The Columbus Dispatch explained how business owners were signing a “Letter To Columbus City Council in Support of Resolution Declaring Racism a Public Health Crisis.” As the publisher of Write Now Columbus, I added my voice. It felt ridiculously small in the face of so many deaths, but I had to begin somewhere. Maybe it would help turn the tide.

As a runner, today I would normally celebrate Global Running Day. Instead, I consciously “exercised” my white privilege by running three miles without being killed. Sound harsh? A few weeks ago, 25 year-old Ahmaud Arbery, a black man, was chased, gunned down, and killed by several white men while he was running. Today, I ran for him, used the hashtag #irunwithmaud to bring awareness, and donated to the fund set up for his mother.

I also donated to The Bail Project. Many black and impoverished people sit in jail awaiting trial because they cannot post bail. Meanwhile the white and affluent accused go home and to their jobs.

And I thought about my writing life. While some of the individuals in Depression Hates a Moving Targetare people of color, I did not point out anyone’s race. It didn’t seem to serve the story and might have been seen as gratuitous. I worry I missed an opportunity or responsibility.

I added black-owned bookstores to my lists and pledge to read more black history and books by black authors.

When my coauthor Brenda Knight and I chose author quotes to use in our new writing journal, You Should Be Writing, we carefully gathered from authors of all races. I’m especially proud of the final chapter about the role and responsibility of the writer. Words have power. May we use them wisely.

As others protest—I choose not to because of Ed’s compromised immune system—I continue to take good notes. I record my thoughts, feelings, and sensations, all things I may forget when later I want to reflect on this time.

I will add to my tiny plan as opportunities arise.

What’s your plan?

Notice I didn’t ask if you had one. We’re way beyond that.

It’s not my job to tell you want to do. But please, figure it out.

The #1 Way to Improve Your Odds When Submitting Your Work

The #1 Way to Improve Your Odds When Submitting Your Work

 

The #1 Way to Improve Your Odds When Submitting Your Work – Write Now Columbus – February 2020

“You don’t close a sale, you open a relationship if you want to build a long-term successful enterprise.”—Patricia Fripp

Long before Depression Hates a Moving Target was published, and especially after, writers have asked me how to find an agent or publisher. Having submitted books and shorter works for publication, I have experience to share. I tailor my suggestions to each individual, depending on where they are in their career, what genre they write, and their personal goals.

But one bit of advice never varies.

If you want to get published, you have to know how to follow directions.

During the submission process, this means finding and following submission guidelines. Most agents and editors (as well as contests, competitions, and publications) provide specific, detailed guidelines on their websites explaining exactly what, where, and how to send your work. They are usually hidden (in plain sight) under a link titled “Submissions” but you might also find them on a contact page or similar link.

There is no “standard” submission process. One agent wants a query first. Another wants the first ten pages. An editor might want nothing short of a full book proposal from the get go, while another wants only the synopsis. Your job is to do your homework, figure this out, and give them exactly what they want.

Why is this so important?

It’s about developing a relationship.

Let’s assume you can write well all day long, have an interesting and marketable story, an author platform, and are lovely to look at. If you’re difficult to deal with, no one as busy as folks in the publishing industry have time for you. Failing to follow instructions is a red flag.

If, like me, you’re not fabulous at logistics, get help. Ask a more detail-oriented friend to look over your shoulder before you hit “send.”

These are not just hoops you must jump through. Your job is to make it easy for the publishing folks to say “Yes”—not only to your lovely work—but to you as the author, as someone with whom they look forward to working. Developing a great relationship from the outset will serve you well.

Coffee & Conversation: Nita Sweeney at Towne Center Books, Pleasanton, CA

Coffee & Conversation: Nita Sweeney at Towne Center Books, Pleasanton, CA

Thursday, February 13, 2020 at 11 a.m. PST
Towne Center Books
555 Main St, Pleasanton, California 94566

Essayist and poet Nita Sweeney discusses her witty and poignant story, Depression Hates a Moving Target: How Running with My Dog Brought Me Back from the Brink.

It’s never too late to chase your dreams: Before she discovered running, Nita Sweeney was 49-years-old, chronically depressed, occasionally manic, and unable to jog for more than 60 seconds at a time. Using exercise, Nita discovered an inner strength she didn’t know she possessed, and with the help of her canine companion, she found herself on the way to completing her first marathon. In her memoir, Sweeney shares how she overcame emotional and physical challenges to finish the race and come back from the brink.

https://www.facebook.com/events/2416413628622456/

https://www.townecenterbooks.com/

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